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“The drawings for his roommate show just how early in his career he developed his distinctive aesthetic and sense of humor,” says Molly Schwartzburg, Philip Hofer curator of printing and graphic arts at Houghton Library. That aesthetic and sense of humor is instantly recognizable. While it may be familiar to the widest audience thanks to Gorey’s Dracula (he famously designed the sets and costumes for the 1977 Broadway production), PBS’s Mystery!, or his wildly popular children’s book The Gashlycrumb Tinies (I have spent a number of Halloweens myself bringing its alphabetized demises to life), the particular wonder of Gorey is that you can always identify him, whether he was working under his own name or one of the many pseudonyms he had in rotation. “It’s the deadpan tone; his ability to evoke a sense of vague, impending doom with humor; and that unmistakable, cross-hatched, semi-Victorian world,” says Compton.Tulane 2025 Cfb Playoff Stripe Shirt
Gorey fans, I can personally attest, are a devoted bunch; the few first editions I have squired away (including my favorite, 1965’s The Recently Deflowered Girl) are some of my most prized possessions. What’s particularly thrilling about these two new centennial exhibits is the opportunity to get a look at some of his lesser-known work, like those undergraduate sketches at Harvard and the countless illustrations Gorey churned out for other publications and authors, which is how he started his career (he designed book jackets for Anchor Books and Doubleday). It’s then, says Compton, that he began hand-lettering and honed his skill at distilling the essence of a novel into a single image without overpowering the text. “A voracious reader himself, Gorey could reference the classic, obscure, and modern all at once without sacrificing his collaborator’s voice,” says Compton. “His art and unique perspective could make any book or article instantly intriguing, adding a kind of gothic sophistication that invited readers in.”
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