Official Washington Capitals Jakob Chychrun Appreciation Shirt
“My memory isn’t what it was these days, but it all comes rushing back to me when I see them dredged out of the ark—I was personally involved in every piece,” Price says, with a smile, after they settle in Capaldo’s office. Price himself owns few of his own pieces still, having been forced to “flog everything to pay the machinists and landlords” when he closed his label in the 1990s: “It’s very trying, to be a businessman and a creative at the same time. Usually the two things completely hate each other, even if they’re necessary to each other. But somehow, I survived for a while.” Surviving is putting it mildly: In his heyday, Price’s vision was practically inescapable. Even if you don’t know his name, you’ll know many of the era-defining images and outfits he helped create: Roxy Music’s Siren album cover, featuring Jerry Hall crawling over a rocky outcrop on the shores of Anglesey; or the outfit worn by Amanda Lear on the cover of the band’s For Your Pleasure album; or the shiny black dress worn by Gala Mitchell on the back cover of Lou Reed’s Transformer vinyl. His menswear was a triumph too: He designed plenty of the wide-lapel suits worn by Bryan Ferry over the years, as well as custom looks for David Bowie and Mick Jagger.Official Washington Capitals Jakob Chychrun Appreciation Shirt
But what really draws Capaldo to Price’s work is the technical wizardry of his garments, from the masterful bias cuts of his dresses to his razor-sharp men’s tailoring to the meticulous construction of his corseted jackets. “It’s just the way Antony understands the body and the clever trickery in pivoting a dart ever so slightly or building a corset in a specific way,” Capaldo says. “I think it was his love of the body that drew me to him and how he mastered making both men and women feel like these incredible superhumans. There’s this real love of glamour and of just making people feel really good.” Still, as the pair spent the past year working on the collection—continuing to talk on the phone “for hours every day,” according to Capaldo—they came to realize the connection between their design styles lay in something more profound. “I think there was something really inspiring about the people that surrounded Antony, and I felt there was this real parallel between the people that surrounded Antony and the people that surround me,” says Capaldo. Price was also famous for the spectacle of his runway shows, which he staged at iconic London venues like the Camden Palace and the Hippodrome and often opened to the public. They turned up in droves to witness Hall and Marie Helvin strut down the runway in zipped leather skirts and motorcycle helmets to the sound of engines revving, and to look for Mick Jagger and the Duran Duran boys in the crowd. “But all those famous people weren’t necessarily that famous at the time,” Price points out. “They’ve become household names since, but they were like Marco’s young friends starting out now.”
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