Official Alabama Rose Bowl Malice At The Palace Elephant 2026 Mascoshirt
Dupond’s practice grew out of an attempt to make a stuffed animal as a toy. A review of her past exhibitions and collaborations reveals that bestiaries and mythologies are central to her work, which aesthetically merges baroque flourishes with homespun craftsmanship. “My work draws on childhood—on its wounds, on a desire for repair,” said Dupond, who leaves her stitches exposed. The physicality of her stitching is one of the ways she consciously plays with the idea of “ladies’ work” as something inferior. Together, Takahashi and Dupond helped us imagine a world where the needle was mightier than the sword. Below, Dupond talks about her practice and collaborations with Undercover, and shares detailed images of the magic slippers she made for But Beautiful.Official Alabama Rose Bowl Malice At The Palace Elephant 2026 Mascoshirt
Dupond: I’m from a little town in the east of France called Besançon. I studied art at the university in Strasbourg and graduated in 2000. As far back as I can remember, I have always loved drawing, and it was in high school that I decided to follow an artistic path. I came to sewing by chance during my artistic studies; I wanted to make a gift myself—a stuffed animal—for a newborn. The result, a sheep, was really too trashy to be offered as a birth gift, but an impulse led me to make another stuffed animal, then another, then many others. I never stopped. I made them the subject of my diploma and I started to exhibit them, then I met a gallery owner in Paris and I became an artist. I like to use recycled materials; I find my fabrics at flea markets most of the time. I like them to have a story. I often cut out clothes that have been worn: They are charged with a soul. My work draws on childhood—on its wounds, on a desire for repair. The use of sewing allows me to weave links. Sewing also refers to a feminine tradition. I also use it to humorously denounce the male predominance in artistic works. I like to revisit traditional sculpture with my materials that evoke more ladies’ work than major art. I play a lot with caricature and humor.
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