Were Going To Take The North And Never Give It Back Ryan Poles Jan 2022 Shirt
The Duchess of York (later the Queen Mother) wearing the Cartier Halo tiara, gifted by her husband, the Duke of York (left, later King George V), in 1937. Featuring a scroll design, the tiara was purchased by Queen Elizabeth II’s father, then the Duke of York, in November 1936 as a present to his wife, Elizabeth, the Duchess of York (who later became the Queen Mother). The Duchess was first photographed wearing the tiara at a charity ball at London’s Claridge’s that month—just weeks before King Edward VIII abdicated and the Duke became King George V. The tiara was later gifted by Queen Elizabeth to the then Princess Elizabeth for her 18th birthday—although Queen Elizabeth II was never actually pictured wearing the headpiece in public. Later, both Princess Margaret and Princess Anne were photographed in the tiara, before the Cartier Halo was worn by Kate on her wedding day. Of course, the French jewelry house has enjoyed a long relationship with the British royal family, as the new Cartier exhibition at the V&A shows. While the Halo tiara will not be on display, the showcase does feature the Cartier Scroll tiara, which also features—you’ve guessed it—a scroll design. Comprising 1,040 diamonds, the headpiece, too, has a royal connection: it was originally commissioned by the Earl of Essex in 1902 for his wife, Adele, Countess of Essex, who wore it to King Edward VII’s coronation that year. Some 50 years later, the Scroll tiara was worn by Winston Churchill’s wife, Clementine, to Queen Elizabeth II’s coronation in 1953.Were Going To Take The North And Never Give It Back Ryan Poles Jan 2022 Shirt
Nowadays, the Cartier Scroll tiara belongs in the jewelry house’s extensive archives—although it did make a rare public appearance in 2016, when Rihanna wore the diamond headpiece on the cover of W magazine—styled by British Vogue’s former editor-in-chief, Edward Enninful. On a crisp, overcast Monday afternoon in Milan, a mysterious invite beckoned editors to Palazzo Belgioioso, an 18th-century architectural wonder in the heart of the city’s Quadrilatero della Moda district. The discreet entryway was marked only by a young woman, dressed in head-to-toe black and clutching an iPad; after being ushered through the courtyard, a series of spartan rooms with whitewashed plaster walls awaited. As waiters began circulating with platters of kumquats, asparagus spears, and crumbly ingots of Parmesan cheese—along with Japanese lacquered trays carrying dainty glass cups of Prosecco and sparkling water—the purpose of the event was revealed with a whisper: this week, The Row is launching its first homewares collection.
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