Trauma Dump Rainbow Shirt
JS: I was approached by Thonet with the project of re-interpreting Marcel Breuer’s cantilever. I visited the Thonet manufactory in Frankenberg, Germany, and inspected the archives. The manual work process was as impressive as the thorough understanding of quality choices. So, I agreed with enthusiasm to the collaboration. Thonet is a resounding name in design history dating back to the Biedermeier movement. They went from bentwood to steel tube chair creations and engaged Bauhaus masters like Marcel Breuer and Mies van der Rohe, as well as Le Corbusier. With Thonet comes a legacy of modernity and the pushing of frontiers. I felt at home with my design aesthetics. There was no rush, it was an experiment. My only prompt was that the overall form of Marcel Breuer’s cantilever couldn’t be altered. I knew right away that we would do away with the chrome frame. The chair had turned into a household item, it was so ubiquitous that its initial design statement had almost vanished. We needed to reconstitute its classiness, subdue the shining elements, [and] choose new interesting materials. I see many affinities. Success in both fields relies on quality and innovation. As to the Breuer chair, I was re-interpreting an idea, in the same vein as I created my version of a white shirt. As with the Breuer-update, I believe in continuity. You can’t re-invent the wheel, you develop it, refine the concept, alter proportions, introduce new materials, optimize the design according to the zeitgeist. Since fashion and furniture are objects of practical use, you assure that they are durable and comfortable. Most of all, you want to make them scintillating and attractive to our easily bored modern eyes.Trauma Dump Rainbow Shirt
To my mind, you and the furniture company share an approach, to some degree: this idea of combining craft, modernity and function—that whatever one makes has to be useful and meaningful. What are your thoughts on that? I like the idea of meaning in design. I see no sense in simply designing something that differs from last year’s models. Design should be a proposition that anchors us in the present moment. Having been a child, while my country was rebuilt after the war, I have a positive relation to change for the better. In 2022, Bobbi Brown’s first Jones Road complexion product launch was a foundation, which surprised some, given how skin obsessed she is. Then again, at the time, foundation was the preferred skin-evening solution—and the hydrating and glow-boosting tinted moisture balm What the Foundation (or WTF) reimagined what the formula could look and feel like. Now, three years later, the brand’s latest, Just Enough Tinted Moisturizer (available today), is doing the same. “The rich, balmy texture of WTF formulation isn’t for everyone,” Brown tells Vogue, whereas her take on the tinted moisturizer is more universal. “It offers lighter-weight moisture, lighter coverage, and a lighter finish—yet is still effective at covering redness and evening out the complexion on all skin types. It’s also perfect as we head into the summer and the temperature and humidity heat up.”
Product Highlights
- Premium Quality Materials
- Stylish and Modern Design
- Highly Durable for Daily Use
- Perfect as a Gift or Personal Item
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