Officials Snoopy And Woodstock Miami Hurricanes 2025 Cotton Bowl Champions Shirt

Officials Snoopy And Woodstock Miami Hurricanes 2025 Cotton Bowl Champions Shirt

Vogue recently spoke to Hood about the difference between writing Trauma Plot and her first book, 2020’s How to Be a Good Girl: A Miscellany; the limits of the “justice” narrative that frequently surrounds sexual assault; and the emotional and physical toll of reliving some of your worst memories for the sake of art. Vogue: What did the writing process for Trauma Plot look like compared to your recently reissued debut, How to Be a Good Girl? Jamie Hood: They were very different writing processes. Trauma Plot began before Good Girl; I started writing it in 2015 and 2016, and I was sort of writing it as a poetry book for a long time. Good Girl was a commission from Grieveland, and it came together very strangely; it happened right as the pandemic began, so I ended up having all this endless time and sort of mental space to write that very quickly. Initially, I thought Good Girl was kind of going to be a side quest for Trauma Plot, or would potentially even take over the position of Trauma Plot in my body of work, and it ended up being quite different than I thought it would be, because it ended up being a lot about how to be a woman and how I navigated my sense of femininity and desire when the rest of the world was sort of enclosed in solitude.Officials Snoopy And Woodstock Miami Hurricanes 2025 Cotton Bowl Champions Shirt

The form [of Trauma Plot] kept changing, which is why it took me 10 years to write; during the process I think I moved away from poetry quite a bit as a writer. I don’t know if I’m going to return, though I would like to. Figuring out how to write a truly extensive, book-length project was so different, because the original draft was 102,000 words and I ended up cutting it down to be 80,000 or 82,000. It was sort of overwhelming and enormous in comparison to Good Girl, which felt very raw and sort of unedited in a kind of exciting way. Good Girl was very improvised in a way that Trauma Plot couldn’t be; I needed to really do it right, and it took a lot longer than I thought. One of the things that presented itself as a formal problem was the fact that rape is a de-subjectivizing experience. You’re sort of split from your own personhood in reinventing the rape, and so at least in my experience of having been raped, it didn’t seem honest to me to write of myself or of my experience as a continuous thing. I felt fragmented and shattered by sexual violence, and this sort of conventional first-person memoir form seemed insufficient as a perspective through which I was going to recount and interrogate this experience. I knew it would sort of be a formally experimental project, but I wasn’t quite sure what those perspectives were going to be initially.

Officials Snoopy And Woodstock Miami Hurricanes 2025 Cotton Bowl Champions Shirt

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