Pure Joy In Every Cup Cat Coffee Meme Shirt
The theme: “The tweeds, the knits, the cardigans, the man-styled essence of Chanel all came from Scotland and the time that Coco spent there with her lover the Duke of Westminster,” wrote Tim Blanks. The castle’s connection to the doomed queen, he noted, “gave Lagerfeld the perfect opportunity to gloss Chanel’s easy pragmatism with an element of doomed romance….. ‘Barbarian romance,’ Lagerfeld called it.” The theme: “Versailles in a Socialist France”—said Karl Lagerfeld. Tim Blanks described the collection as “a gleeful mash-up of hip-hop edge—à la his favorite Azealia Banks or M.I.A.—and Louis Quatorze’s eighteenth-century court at Versailles.” The location: The Grand Palais, with Raj-style decorations including fruit and flower laden tables on which a toy train carried decanters of spirits. The theme: This collection, reported Tim Blanks, “was a reminder that Europe’s fashion industry has increasingly turned to India to produce extravagantly handworked pieces as it has become prohibitively expensive to make them at home. Karl Lagerfeld’s fiendish plan was to flip the equation, so that everything that looked intricately Indian was actually made by Chanel’s ateliers in Paris.”Pure Joy In Every Cup Cat Coffee Meme Shirt
The theme: “Too much may not be enough,” said Karl Lagerfeld of a collection accessorized with fine jewelry and nominally inspired, wrote Tim Blanks, by “Rita Hayworth and Aly Khan, former hot-blooded habitués of the Hotel du Cap.” The location: The second-floor couture salon on Rue Cambon, which was transformed into “a sort of Ottomanesque chill-out room, with low stained glass tables and two rows of patterned square pillows” on which the guests were seated. The theme: “The season’s theme, Paris-Byzance, Karl Lagerfeld explained, was inspired by the Empress Theodora and the lost culture of Byzantium. In typically rapid-fire mode, he noted: ‘Theodora was a circus artist who became empress, like Chanel, who was a little singer and became a fashion empress.’ Ba-domp-bomp! Mostly, however, the reference came via Coco’s Byzantine-inspired Gripoix jewelry, which is instantly recognizable even today,” noted Meenal Mistry. The location: The plaza in front of St. Tropez’s famed Sénéquier where guests, seated in the café’s signature red wooden chairs, watched models arrive at Quai Jean Jaurès on speedboats.
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