Scott Hunter 21 New York Admirals Estd 1926 Shirt
Benady’s hiring as chief executive is something of a coup for Jacquemus. After the sudden and unexpected departure of former CEO Bastien Daguzan in December 2023, Simon Porte Jacquemus resumed the role himself for more than a year as he searched for a replacement. Benady says several people introduced them, and the intros feel to her like serendipity. She was not looking to leave New York, her home of a decade. “I would not have come back to Paris for an opportunity other than this one,” Benady says. “I was very happy in New York, but working alongside Simon … I feel like I’ve joined Hubert de Givenchy or Yves Saint Laurent back in the time when they had that vision.” Cigarettes, colorful condoms, and a baby cupid could be spotted in a tiny diner in Manhattan’s Meatpacking District. “The Little Diner That Could,” also known as Hector’s, housed the footwear brand’s crush party, which was effectively a time capsule that transported attendees to a party filled with bold love and brazen styles. The one rule guests had to abide by: You must bring a plus one, and they must be a crush (or an old flame). Upon walking in, guests and their crushes were given a clothespin with a miniature Polaroid picture labeled “single” or “taken” to pin onto themselves. A scene of ’70s-inspired outfits, disco music, and an ordained Elvis Presley unfolded. The crushes in attendance? Marina Larroudé, Ricardo Larroudé, Finnegan Biden, Kim Shui, Tanya Taylor, Timo Weiland, Jenny Walton, Gigi Burris, and more.Scott Hunter 21 New York Admirals Estd 1926 Shirt
It was an evening of eclectically clad fashion notables and industry mavens. “We wanted to throw the kind of party where no one wanted to leave—a fun, unexpected, and playful night out in the city. And doing it at an iconic place like Hector’s, which is sadly closing its doors after 40 years, made it all the more special,” Marina Larroudé told Vogue. From the cupid in a diaper with his bow and arrow, to the ordained Elvis that actually married a couple, to the kiss cam, happy ending chocolates, and LALO tequila cocktails, it was an unexpected New York night indeed. For John Singer Sargent enthusiasts, Gilded Age buffs, and fashion historians alike, the story of Madame X’s notorious debut at the Paris Salon of 1884 is a tale as old as time. When the prodigious 28-year-old painter immortalized the idiosyncratic beauty of Madame Pierre Gautreau, a fellow American in Paris, he rendered her precisely—from her auburn chignon and prominent nose to her lavender-tinged complexion and figure-hugging black dress, whose jeweled strap had slid off her right shoulder. Yet scandal quickly followed, the latter detail doing little to dispel Gautreau’s already controversial reputation. Savaged by critics for the portrait, Sargent famously repainted the strap in the upright position—but the damage was done.
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