Wait For Me I Have Little Legs Shirt
“America was my big ambition.” So says Simon Porte Jacquemus, standing inside his brand-new Los Angeles flagship store. It’s his second brick-and-mortar site in the United States, following the opening of his two-floor town-house retail space in New York City’s SoHo neighborhood back in October. “Jacquemus really connected with America since the beginning,” he says. “Our first stockist was in California—Opening Ceremony was the first to buy my brand. They sold it in New York and LA, it just clicked.” The almost 2,800-square-foot space, with its vaulted ceiling, is so light and airy that, although it’s right in the city’s busy Melrose Avenue, you’d be forgiven if, for a second, you thought you were in a quiet farmhouse somewhere in the South of France. “We started looking for a place two years ago,” Porte Jacquemus explains. “I was obsessed with the idea of doing a grand salon, like a grand fitting room—something that was super welcoming and [where] you just want to hang out there with this feeling of Provence.” The herringbone floors are unmistakably French, albeit with a twist. They’re inspired by classic Parisian parquet floors but “done in stone—and voilà! We have both worlds.”Wait For Me I Have Little Legs Shirt
Anchoring the room are two extra-long couches upholstered in sunny yellow linen, which, just a few hours after the store’s grand opening, are now populated by people hanging out—some waiting for shoes, others making content, or those simply enjoying the beautiful day. Throughout the store, accessories are displayed in sleek stone-and-metal tables designed by Porte Jacquemus and the team. “They’re almost the same ones I have at my house,” he says, looking down at the handsome tables and laughing. “Sometimes I am like, ‘Why are my shops better than my house?’ I said that to my husband yesterday!” But the tables are not the only things borrowed from the designer’s own home. The space is filled with art treasures that come from his private collection: a topsy-turvy photograph of David Hockney by Peggy Sirota (“It just made sense to have him in the city”), fleshy nudes by the French painter Maurice Savin (“He is not very well known, but I just love him”), and two pieces by Renoir, a small engraving and a bronze bather. “It’s always important to have objects,” he says. “It gives another vibe to the store.”
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