Officials Its A Byler Thing You Wouldnt Understand Shirt

Officials Its A Byler Thing You Wouldnt Understand Shirt

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“Fashion came into my life when I had my very, very first couture dress made by Hubert de Givenchy,” Hepburn once said. “The beauty was extraordinary.” It was not friendship at first sight, however. When the French couturier first met the actress, he thought he was going to be meeting Katharine Hepburn—and was nonplussed at their initial encounter. It was when Hepburn subsequently wore several outfits by the designer in her 1954 film Sabrina that the duo’s lifelong collaboration began, with the actress becoming the ultimate recipient of Givenchy’s refined approach to luxury dressing. Standout looks include an exquisite double-breasted wool skirt suit in Sabrina—its silhouette perfectly marking protagonist Sabrina Fairchild’s newfound sophistication after a stint in Paris—and the white gown with a ribbon-tied beaded bodice that Hepburn wore to attend the 1975 Academy Awards.Officials Its A Byler Thing You Wouldnt Understand Shirt

In honor of what would have been the icon’s 95th birthday today (4 May), here is Vogue’s recap of Audrey Hepburn’s greatest style moments through the decades. The hairband has undergone a renaissance in recent years thanks to major catwalk endorsement from designers including Prada, Fendi, and Simone Rocha. Although Hepburn wore her fair share of tiaras, she also appreciated the comparatively simple pleasure of a hairband: whether a neatly bow-topped Alice band or an unfussy white length of fabric keeping her hair off her face while practicing at the barre. In Roman Holiday (1953), the film that catapulted Hepburn to stardom, the actor stars opposite Gregory Peck as a princess dispensing with royal duties to sneak around Rome. A fresh-faced Hepburn lights up the screen, all easy elegance in a blouse and voluminous skirt, cinched at the waist. It’s the details that make the look: The nonchalantly rolled-up sleeves, the jaunty striped neck scarf, ice-cream in hand, and the backdrop of the Italian capital’s meandering backstreets. Hepburn loved a headscarf both on and off screen, often knotting a silk scarf over a beehive, with her micro-fringe peeking out. Arguably her most glamorous style trick, the headscarf makes cameos in Funny Face, Breakfast at Tiffany’s, and spy caper Charade (1963), accompanied by leather gloves and dark glasses.

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