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I’m interested in the super contemporary colliding with something really traditional—as stained glass for example, or a key ring being transformed into a bronze sculpture. That’s what I mean also with nostalgia; nostalgia is somehow colliding with the contemporary and the now and I think that is fascinating. The stained glass is a really analog way of taking light through an image. And every day when we are on Instagram, we look at images that light up through our phones and screens. [Stained glass] is the oldest screen, somehow. I think childhood and camp are also kind of connected. I think the childhood thing is about memory, because I’m interested in how we got socialized into society—so, what we got presented with as children. This specific sculpture in Brooklyn is inspired by the play castle you have as a kid. It’s a bit like a dollhouse—the castle version of it. It’s a way of socializing children to understand their function in society. And I think that’s why [toys] are really strong symbols also in an annoying way because they are gendered, for example. But there is a strange humor embedded in the choice because they don’t have a specific function, but they are miming being tools or they’re miming being practical, but they are only there for pleasure. I’m always fascinated about trying to bridge something practical and something that’s there for entertainment. And I’ve always been fascinated by workers in amusement parks, because they are facilitating entertainment but they’re also working. So these clashes of work and pleasure, and violence and entertainment, there’s something in between these that for me, becomes really calm and interesting. I’m navigating and remixing these symbols.Officials If You Are Neutral In Situations Of Injustice You Have Chosen The Side Tee Shirt
So many of the works are speculations; I mostly never understand the answer myself, and that’s always my goal—to do something because I don’t completely understand what it means, but I’m interested to figure it out. What will happen when I create things like the castle in Brooklyn, for example? That’s what I mean with speculation, because it becomes an experiment in a way. And that is a play. And children, they play, they build, they construct fantasy. They bridge the fantasy into specific performative rituals, we could call it, or games or plays. And I find that quite fascinating because it’s also a way of learning. No, not at all. I think I have a more conceptual approach to performance. I’m really formed by catwalks and music videos and scenes from Hollywood movies. I’m referencing pop culture a lot and in my performances…. The performances are miming different kinds of spectacles and combining them and then putting them inside of the art institution.
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