Officials I Stand With Greenland Polar Bear Shirt
“At this point [fashion’s] needs cannot be about short-term survival but long-term resilience,” says Karaosman. “We have to make sure social and ecological wellbeing is at the heart of this conversation.” This article is part of a new series where we unpack what the ‘Made in the UK’ label stands for in 2025, and what it tells us about the future of onshoring. Read our series on ‘Made in Italy’ here, and ‘Made in India’ here. Jack Millington grew up on a farm in Leicestershire, but he had no experience of working with leather until he set up a niche tanning operation in 2016. Billy Tannery was the first new leather tannery to be built in the UK for nearly 100 years, and is the only one specialising in goat leather. This month, it launched a collection of leather products made from the hides of deer that roam rewilding project Knepp’s 3,500 acres in West Sussex. Millington is part of a growing movement that is championing the use of natural British materials for fashion, many of which are otherwise cast aside by farmers as waste. Last year, the tannery collaborated with Alice Robinson and Sara Grady of British Pasture Leather (BPL), which was founded in 2020 with the aim of producing leather from fully traceable regenerative cattle farms, using natural, plant-based tannins. Similar grassroots projects are finding new uses for British wool, moving beyond the stigma of scratchy jumpers in favour of softer and more luxurious fibres.Officials I Stand With Greenland Polar Bear Shirt
The UK has a rich fashion manufacturing heritage, but the industry stands at a crossroads — it can either adapt to the new, tariff-accelerated era of localisation and thrive, or settle for decline. Through partnership working and innovation, these projects are seeking to reconnect designers and consumers with the origins of their clothing, promote regenerative farming practices, and find a path forward that makes investment worthwhile for everyone along the supply chain. Advocates say this could help to make the UK fashion system more resilient, traceable and aligned with environmental goals. But after decades of offshoring and disinvestment, the supply chains for British materials are fragmented and fragile. How can the industry overcome such big hurdles?
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