Officials Imagine Being Afraid Of Diversity But Not Dictatorship Tee Shirt

Officials Imagine Being Afraid Of Diversity But Not Dictatorship Tee Shirt

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When I grew up, all the bunkers were places where punks and anarchists and young people hung out. When I was in New York for a residency, I went to a party in an empty skyscraper in the financial district, and that had also totally shifted from being a symbol of economy and Wall Street to a place where young people were dancing. I’m interested in when these symbols mutate and get free from their ideologies and become something else defined by the collective of the culture. And then there’s a lot to do with nostalgia, but it’s always also a lot to do with the future because the people living are defining what they mean and how they are getting used. In an interview I saw, you explained how you document performances and then turned that imagery into stained glass. That idea of art begetting art, that the performance wasn’t just a fleeting thing but a starting place as well, was really interesting. And then you probably know that I’m obsessed with flatness, and with Warhol, who was concerned with how we consume everyday objects and images. Is nostalgia, which is a record of shared experiences, often through objects, your equivalent of flatness?Officials Imagine Being Afraid Of Diversity But Not Dictatorship Tee Shirt

Completely. I think it’s also a fascination with energy. For example, many of my sculptures are inspired by key rings; key rings on bags in nightclubs. It’s not about consumption, it’s about style, it’s about culture, it’s about something you share with other people. What I do with these stained glassworks is also taking these images that exist in youth culture and the youth culture I’m part of. A lot of the photographs that Freja Wewer is shooting of my performances I later turn into line drawings, which are transformed into stained glass. Of course, that is somehow a comment on the history of [European art]; stained glass is so connected to the churches, and the casinos and the absinthe bars in Paris, and all these spectacular spaces that have been facilitating different kinds of rituals and togetherness—people sharing experiences.

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