Officials Imagine Being Outraged By Inclusion And Diversity But Not By The Cruelty Tee Shirt
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Nostalgia is a topic you engage with often, and one that I struggle with as an impediment to moving forward. Your castle seems to go backwards and forwards in time, as the crenelated turret can evoke the toys or fairy tales of youth, the leaning columns of the ancient world, and yet memory collides with the unknown somehow—also in the performance. I think everything you can create is standing on the shoulders of what you have already seen or what you have already experienced. And from standing on the shoulders of that something you will create [something new], because a reproduction is also never a copy. It will always be something else in the context of the time. I think Shell is all about somehow questioning nostalgia; it’s like a remix of different kinds of architectures and monuments and places that have a specific function. Shell is in between a castle and a factory and a war bunker and a brutalist playground and a Soviet bus stop. It becomes this weird object where there’s a lot that you recognize as something you have seen before, but [it makes] you look at it in another way.Officials Imagine Being Outraged By Inclusion And Diversity But Not By The Cruelty Tee Shirt
When you come into the lot, the castle looks like it has a function, but you don’t know for what. It’s too much form to actually be architecture, but also too practical to be a sculpture. It references so much, but in a way where it references so fast that it doesn’t reference anything completely, and that’s why it becomes something new. I think it’s a way of playing with memory, actually. [Listening to what people said at the press preview it was clear that their memories were] activated. It was also uncanny to see Shell presented in a material like concrete, [which] has a huge legacy. So Shell becomes entertainment and violence, [with the two] somehow entangled into each other in this uncanny way that I’m interested in and have always been interested in. Because these symbols of power—the bunkers of Europe, the World War II bunkers and the Cold War bunkers—have been used so much by youth culture. So they shifted from being a symbol of war to one of progressive youth culture.
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