Nice Sorry Im Late I Was Pooping Shirt
Crawford: Kaia and my son both live in L.A., so I just want to be with them. For our family, we’ve realized how precious our time together is—especially now that my children are both adults, and have their own lives. When they were little, the kids would make me breakfast in bed. I would have to lay in bed until they got breakfast ready; I’m usually the first one up in the house, so I would pretend to not be awake. I don’t care about [Mother’s Day] gifts: What I care about is a handwritten card! In Bonjour Tristesse, the directorial debut from writer Durga Chew-Bose based on the 1954 novel of the same name by Françoise Sagan, we meet Cécile, played by Lily McInerny, a moody teenager on holiday in the south of France with her dad Raymond (Claes Bang), and his younger lover Elsa (Nailia Harzoune). Her days are idyllically spent smoking cigarettes, dancing, and kissing Cyril (Aliocha Schneider), the literal boy next door; until the arrival of Anne (Chloë Sevigny), a fashion designer and an old friend of Raymond and Cécile’s late mom threatens to disturb her vision of paradise.Nice Sorry Im Late I Was Pooping Shirt
It is a quiet film, where the colors of the ocean, the sound of the wind, and stolen glances have as much weight as any line of dialogue, so it’s not surprising that fashion also plays an important role. Chew-Bose enlisted the costume designer Miyako Bellizzi, of Uncut Gems fame, who excels at creating characters who look and feel real despite the fantastical twist and turns they might take. Bellizzi brought on Cynthia Merhej, the designer behind the IYKYK brand Renaissance Renaissance, and a semi-finalist for this year’s LVMH Prize, who mixes tailoring with playful volumes and a myriad of textures to create a sensual yet off-kilter silhouette. Merhej’s clothing is an essential part of the film as it plays the “role” of Anne’s creations, and thus another way through which we can perceive and understand her complicated character. Ahead of the film’s release on May 2, I spoke with Bellizzi and Merhej about developing characters through the content of a single carry-on bag, using light to find the perfect shade of butter yellow, and the ways in which work influences their personal styles.
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