Official Grinch Santa Take Me As I Am Otherwise Go Climb A Cactus Christmas Shirt
Closing out the “Summer of Love” section, Consani wore Alessandro Michele’s interpretation of the costumes Sandy Powell designed for the 1992 film Orlando, starring Tilda Swinton. “I’ve done a lot of films, but there are very few where I was given the amount of artistic license and freedom I had on Orlando,” Powell told Vogue in the November 2025 issue. Tonight, Hunter Schafer hit the runway wearing the original Orlando costume, while Consani played her haute couture counterpart. The model wore an off-white peasant blouse with ruffled sleeves, a leather studded corset, teal and white bloomers, and a magnificent ruffled cape. “It’s not just about physicality and the coloring—it’s about how they present themselves, how they hold themselves. And their opinions really count, because we are building a character,” Powell said of collaborating with actors. “I’m not just putting dresses on people or making somebody look good to go out for the night. It’s making somebody believe in a character.” It’s safe to say that at Vogue World 2025: Hollywood, Alex Consani made us believe the character. We’d know those dulcet tones—and that preppy, menswear-inspired get-up—anywhere: Yes, that was a tribute to the late, great Diane Keaton and her brilliant, Oscar-winning work in Woody Allen’s Annie Hall at Vogue World: Hollywood on Sunday night.Official Grinch Santa Take Me As I Am Otherwise Go Climb A Cactus Christmas Shirt
During this year’s fashion-and-film extravaganza, the quick clip of top models in off-the-runway fashion, custom designer looks inspired by the movies, exquisite original costumes, and extras dashing about with props slowed down for just a moment, as the Paramount Studios lot went sepia-toned and the sound of Keaton crooning Carmen Lombardo and John Jacob Loeb’s “Seems Like Old Times” came in through the speakers. (Keaton’s Annie performs the standard at the very end of Annie Hall.) At that moment, model Betsy Gaghan appeared on the runway, dressed in a wide-brimmed black hat, white button-up shirt, brown corduroy waistcoat, pleated chinos, and a blue necktie with neat white polka dots—all by Ralph Lauren—that directly quoted a look of Keaton’s in the film.
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