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The theme: “The models were made up like manga kewpies, their hair concealed under big ‘hats’ of braided black hair, a reference to Korean tonsorial tradition. The major visual motif was a busy and brightly colored patchwork, a technique, which, Lagerfeld said, is only found in Korea. The mother-of-pearl embroidery that traced a black wrap dress was inspired by the decoration on Korean wedding chests. The high empire line and flaring sleeves on full-silhouetted dresses were Lagerfeld’s sublimation of traditional garb.” The theme: “Lagerfeld spun his own Mitteleuropa fantasy as his models with their gilded eyelids moved through rococo salons lit by candles. The capelets, frogged jackets, and side-striped trousers echoed a Viennese military academy. It was one of those jackets, transmuted into the uniform of a hotel page in Salzburg’s Mittersill Hotel, that inspired Chanel’s signature little black jacket (though it was more often white, Lagerfeld pointed out),” Tim Blanks reported. “There was another interesting historical confluence involving Chanel herself that underscored the rightness of this whole event for Lagerfeld. Romy Schneider, the quintessence of Austrian elegance, made her name playing Sissi in a 1950s trilogy. In 1961, director Luchino Visconti asked Chanel to dress Schneider for Boccaccio ’70. She would return to the role of Sissi in 1972 for Visconti’s Ludwig.”Officials Tata Free 6Ix9ine Shirt
The theme “This is my idea of a romantic, modern Orient, a new One Thousand and One Nights,’ [said Lagerfeld]. And there was no place more appropriate to offer it up than Dubai, where West and East, today and tomorrow, real and fake meet in a duty-free, shopaholic embrace,” noted Tim Blanks. The location: Dallas’s Fair Park, home of the 1936 Texas Centennial Exposition and a National Historic Landmark where a Chanel had installed “a built-to-fit drive-in movie theater complete with seventy-four restored vintage automobiles parked in front of four giant screens.” The theme: The show was titled “Back in Dallas” because Neiman Marcus presented its Award for Distinguished Service in the Field of Fashion to Coco Chanel in 1957. Karl Lagerfeld received the same following the pre-collection. Of the Western-themed collection, the designer said, “It’s a reinvention of something I don’t really know, but that I like to play with,” he said. Besides the “miles and miles of fringe,” Nicole Phelps noted that “Erin Wasson, a native Texan, carried bottles of Chanel No. 5 in her holsters.” The theme: “That half step toward laddishness—the pearl-trimmed sort championed by the young Coco Chanel, with her menswear fabrics and her suiting, her boys’ tailoring inspired by Boy’s tailoring—gave the collection its sprightly freshness,” Matthew Schneier reported. “Lagerfeld insisted his Singapore was a dream Singapore.”
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