Officials Thank You Sabula Shirt
“Everything started with my father’s death. I tried to make him visible,” Wåhlstrand says, referring to a 10-year period when she attempted to see the world, including her mother, through his gaze. (Some of the images she used to paint her mother were taken by her father.) “During my foundation year, I made pastel drawings of myself and him at the same age. I took them home and put them on my walls.” Later, a painting of her father, ID (2011), that she showed in an exhibition almost made her mother faint. “After that, I wanted to be close to his world still—I wanted to be in his landscapes—but I removed him from the pictures,” she says. The paintings of Wåhlstrand’s mother are some of her finest. A new painting of her—the first Wåhlstrand made after her death six years ago—was created for a recent Stockholm show. The astonishingly beautiful Mother In Colour (2024) is based on a photograph taken from the same roll of film as Mother Blue (2008–09). “Everything was circling around her when we were making that exhibition. I wanted her in every corner of it. I wanted to go back and see how it was to paint her again, to spend time with her and to be close to the skin,” Wåhlstrand says.Officials Thank You Sabula Shirt
Some of the interiors and portraits in Wåhlstrand’s back catalogue evoke a Vilhelm Hammershøi stillness—a narrative hanging in the air. The same is true of her landscapes, which, in all their atmospheric, tonal beauty, often have the sense that someone has just walked out of them or is about to walk in. (Two new landscapes, The Lonely Rowan and Towards An Outer Island, find her on Sweden’s west coast, where she would holiday as a child and now does so with her own family.) Wåhlstrand loves to paint eyes—specifically, the shine in them; it reminds her of the glitter on the water. In fact, her newest painting, of her daughter’s eye, is a sensational yet intimate work—the smallest she has made, and which she hand-carried to New York from Stockholm. Painting Turid’s Eye (2025), she says, was the most scared she’s been so far when starting a work: “Similar to the feelings I had when I painted my mother for the first time.” Hultén was surprised, and Turid herself was pleased.
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