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Then, at the very end of the night, Baker took best picture, too (from When Harry Met Sally’s Meg Ryan and Billy Crystal). “I want to thank the Academy for recognizing a truly independent film,” he said. “Long live independent film!” It promised to be a season of celebrazione in Milan, and the city delivered. Anniversary shows from Fendi and Dsquared2 set a joyful tone, which was reflected by the (mostly) sunny weather. Diesel, Marni and Giorgio Armani were among those to offer standout collections, while several emerging designers had the chance to shine. “The overall mood was very positive in Milan this season,” says Kay Barron, fashion director at Net-a-Porter. “The sunshine had an uplifting effect and everyone was in high spirits. There felt a sense of excitement in the city, and the presentations brought a vibrant atmosphere.” “It was a pretty strong season,” echoes Vogue Runway’s Tiziana Cardini. “Most of the brands had convincing outings. They felt consistent. Of course you miss a strong Gucci show [with a creative director] and a Bottega show. But in the end, the season was strong anyway.”Uh One Uh Two Uh You Know What To Do Indiana Hoosiers Football Circle Shirt
Some of the most talked about shows of Autumn/Winter 2025 brought a sense of escapism — proving that the most successful brands are the ones that create desire while remaining conscious of the world we live in. Giorgio Armani epitomised this on Sunday morning, closing out the week for many with a far-reaching show that incorporated high glamour and pragmatism. Sparkly fluid gowns and separates — twinkling under the lights — were paired with comfortable flat boots, which reflects how people want to dress today, says Vogue Business and Vogue Runway global director Nicole Phelps. Marni’s show was another highlight of the week, editors agree. The set felt like a cabaret, complete with waiters serving Martini spritzes (“you can’t spell Martini without Marni”, one editor quipped); a Dev Hynes original score; and a collaboration with artists Slawn and Soldier Boyfriend, featured in the collection and on the walls. The collection was theatrical, eclectic and bright, including Tracee Ellis Ross in a bright yellow gown, emblazoned with a pop art crash print. At Diesel — Marni’s OTB stablemate — the set featured graffiti artworks from over 7,000 people from across China, South Africa, the US and Europe, lining the walls and floor of the Allianz stadium. The centrepiece? The brand revived its record-breaking, huge inflatable from its SS23 show, covering it in matching graffiti. The AW25 collection was ambitious from Glenn Martens, his first for Diesel since he was announced as creative director of Maison Margiela in January. Diesel continues to perform well under Martens, with sales up 3.1 per cent year-on-year in 2024 (many luxury labels reported flat or declining sales in the same period). With new silhouettes and fabrics, from Chanel-inspired tweed separates and coats, to more Martens coded bumsters and hot pants, this show may open the brand up to a broader consumer.
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